In her directorial debut, Anna Kendrick steers clear of the common pitfall of dramatising male serial killers and refuses to romanticise “The Dating Game” killer despite how easy it would’ve been to ...
Eat the Night is the second feature film of out-of-the-box directorial duo Caroline Poggi and Jonathan Vine, following Jessica Forever (2018). Grounded in the narrative opportunity of video games, Eat ...
Possibly the only film in cinematic history to open with an inversion of the worst scene in Oedipus Rex, Sarah Friedland’s directorial debut Familiar Touch frankly tackles the consequences of time on ...