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New York Classical Review
21 小时
Kopatchinskaja sets London Philharmonic concert ablaze with Shostakovich
Shuddering and slashing in Britten’s Sinfonia da Requiem, drumming in Tania León’s Raices (Origins), carving expressive ...
New York Classical Review
1 天
Momenta Quartet opens Ives festival with illuminating looks back and forward
The Momenta Quartet’s annual Momenta Festival, now in its ninth year, is always a highlight of the classical music season.
New York Classical Review
2 天
A rare mixed night for Trifonov at Carnegie Hall
There’s a fascinating mystery around every concert, one that accumulates myriad speculation but no answers. Just what ...
New York Classical Review
4 天
Music, poetry and Spanish history in graceful motion in Met’s “Ainadamar”
Lorca, who was a classical pianist, was captivated by cante jondo, or “deep song, the original manifestation of flamenco, ...
New York Classical Review
2 天
Philharmonic celebrates black composers in lively, varied “Afromodernism” program
The Philharmonic may have only one black member—principal clarinetist Anthony McGill—yet the musicians responded with energy ...
New York Classical Review
10 天
Despite distractions, Tepfer and Trio Fadolin find the Feldman groove
The New York Studio School, an important training center for drawing, painting, and sculpting, is marking its 60th ...
New York Classical Review
15 天
Ólafsson’s spellbinding Brahms highlights Honeck’s Philharmonic program
This week’s New York Philharmonic program is built on classics—Beethoven’s Symphony No. 7 and Brahms’ Piano Concerto No.
New York Classical Review
9 天
Love is all around Philharmonic, from Pintscher to Mendelssohn to Schoenberg
The overarching theme of Thursday’s intriguing program of the New York Philharmonic, conducted by Matthias Pintscher, was ...
New York Classical Review
14 天
Violinist Avsharian’s unique concert mixes music with brainwave education
Shostakovich and light, entertaining music are not generally synonymous, but the Soviet composer wrote film music to pay the ...
New York Classical Review
20 天
Superb singing in “Rigoletto” highlights return of Met’s Weimar Verdi
Nadine Sierra as Gilda and Quinn Kelsey in the title role of Verdi’s Rigoletto at the Metropolitan Opera. Photo: Nina Wurtzel / Met Opera Rigoletto returned to the Metropolitan Opera on Monday evening ...
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